|
|
|
N |
|
Ngadal Meteng is a form of the blade of a Keris or Tombak. |
|
Ngamper Buta is a Dapur of a keris with 17 Luk. The Keris it one of the Keris Kalawijan. The blade length is normal. It has Kembang Kacang and only one Lambe Gajah, Jalen, Blumbangan and full Greneng. You can usually find this Dapur only at ancient keris but sometimes also at new ones. |
|
Ngewal or Kewalan is a type to wear the keris in Yogyakarta. The gandar is plugged in the belt and it is directed to the left, so that it can be gripped with the right hand. So the krisses of the soldiers in the Keraton are worn. |
|
Nggajih is a pamor, read more here. |
|
Nggigir Lembu is the appearance of a blade of a keris or Tombak, which has an Ada-Ada. |
|
Nginden is a pamor. It is a brilliant pamor and can be found at Keris Nom-Noman in Surabaya at the era of Sultan Paku Buwono IX. Nginden be found also on a warangka, e.g. from trembalo wood. |
|
Ngingrim, Pelet is an appearance of the Pelet Timoho timber. It has short strokes of different-length which are mixed placed. This variety of Pelet is very expensive. |
|
Nglimpa is the form of a blade of a keris or Tombak. An Ada-Ada does not exist. |
|
Ngoleng is the wearing method of a keris in Surakarta. It is very popular. The gandar is between the second and third row of the fabric belt inserted. The handle is rightward. |
|
Ngring Hesti is a Dapur of a straight Tombak. The blade is symmetrical and is very similar to Dapur Baru. The blade has a waist and is narrower on the waist than in the waist. |
|
Ngring Semben is a Dapur of a straight Tombak. The blade is symmetrical and is very similar to Dapur Godong Andong. Above the Metuk there is a thin Bungkul. This Dapur has an Ada-Ada up to the tip. |
|
Nguceng Mati is a kind of shape of the tip of Buntut Cecak at the Ganja of a keris. |
|
Nguku Bima is a form of a Kembang Kacang of a keris. It is also called Kuku Bima or Wrekudara analogy of Wayang Kulit Purwa. This form arises from the fact that the original tip is broken |
|
Ngulit Semangka is a pamor, read more here. |
|
Nur or Nur Ilahit is a pamor. The shape resembles the letter S. You can always find this pamor only at the Sor-Soran. This pamor has a positive power and is ideal for bosses, teachers, parents or other role models. There are two kinds. It belongs to pamor Tiban and Rekan. This pamor is not for everyone as it is one of the selected pamor motifs. |
|
Nyamba or Wayangan is a form of a keris handle representing a head of a Wayang figure. Mostly these are wooden handles. These handles are not very popular, but also made of ivory or metal. These handless are only fitted to warangka Gayaman Solo or Madura. |
|
Nyambah Aking or Ngecambah Aking is a straight part of the Kembang Kacang. This type of Kembang Kacang is not as popular as it can break easily. |
|
Nyamel, Pelet is an image of a Pelet warangka made of Timoho wood for a keris or Tombak. It has large black spots. Timoho wood with Pelet Nyamel is very popular. |
|
Nyanak see Sanak. |
|
Nyangkem Kodok is a part of the blade between blade and Ganja near the Buntut Cecak and relatively wide (more than 1.5 mm). |
|
Nyote is a wearing method of a keris in Yogyakarta. Here, the keris is clamped under his left arm and put it in his belt. One applies this kind of wearing for running or mounting a horse. Nyote is also found in Surakarta, while the gandar is inserted between the second and third wrap of the belt and worn in front of the belly. Usually one takes a keris with warangka Gayaman not a warangka Ladrang or Branggah. |
|
Yogyakarta
Surakarta |
|
Nom-Noman see Nem-Neman. |
