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Pusaka

means heritage, heirloom, bequest. This usually includes weapons, especially Keris with a magical power and lavish Keris. Among the Pusaka weapons of Keraton YogyakartaKanjeng Kyai Ageng Pleret

· Kanjeng Kyai Ageng Kopek

· Kanjeng Kyai Pengarab-arab

· Kanjeng Kyai Gajah Indro

· Kanjeng Kyai Kancil Belik

· Kanjeng Kyai Santri

· Kanjeng Kyai Simo

· Kanjeng Kyai Mrico

· Kanjeng Kyai Udan Arum

· Kanjeng Kyai Tunggul Wulung

· Kanjeng Kyai Pare Anom

· Kanjeng Kyai Meyek

· Kanjeng Kyai Pumuk

· Kanjeng Kyai Slamet

· Kanjeng Kyai Jenggot

· Kanjeng Kyai Tandu Lawak

· Kanjeng Kyai Cekatak

Puteri Kinurung

is a motif of a pamor that looks like a large sheet with some small islands in the middle. It can occur anywhere on the blade, but usually it is found at the Sor-Soran. It has the magic power to reduce the extravagant and wasteful character of the owner. Therefore, this pamor is particularly suitable for cashiers. It belongs to the pamor Tiban. It should be placed between Wos Wutah and Pulo Tirta.

Puteri Kinurung, Ukiran

or better known as Putri Kinurung is a model of a handle. This handle is up just like a normal grip but below it has additional carvings, called Cecekan. These handles can be found both in Yogyakarta and Surakarta. These handles are of course more expensive than normal handles.

Puthut Adipati Karno

is a Dapur of a straight keris. It is a creation of Empu Adipati Anom at the era of Paku Buwono V. The Keraton has the Pusaka Keris Kyai Joko Kanjeng Minulyo from this Dapur.

Puthut Pandito Pengpengan, Kanjeng Kyai

is a Pusaka Keris at the era of Paku Buwono IX..

Putut

is a Dapur of a straight keris. There this Dapur is with normal and short blade. The Gandik is formed by a seated person. There is no other Ricikan except Ri Pandan or Tinggil. Putut's means scholar but often sees the image more like a monkey. In some areas of Java, this Dapur is also called Dapur  Umyang but Umyang is not a name of a Dapur but an Empu who live at the era of Kingdom Pajang.

Putut Kembar

is the dapur fo a straight keris. This Dapur is exactly the Dapur Putut but you find two Putut figures. Kembar is also identical or twice.

Puyuhan

is a part of the Sor-Soran of a keris where the forward Sogokan meets the behind Sogokan. Additionally there are 3 mm away a Bebel in quality keris. Inferior krisses have instantly the Ada-Ada.